![]() The key feature of the transcoding engine is its ability to convert digital media files into an intermediate codec while maintaining the quality of the original file. Notes: Master file embedding is not supported for DPX and EXR file format. Supported MHL: ASC MHL creation with hash format xxHash (64-bit, and latest XXH3 with 64-bit and 128-bit), MD5, SHA1, SHA256, C4 Supported output file container: MOV, DPX, EXR Supported input file container: MOV, MP4, MXF, GoPro. OpenEXR (EXR): RGB/RGBA half/float 16/32 bit Uncompressed/Zip1/RLE compression. ![]() Digital Picture Exchange ( DPX): RGB 10/12/16 bit, RGBA 8 bit.CineForm: film3+, film2, film1, high, medium, low and RGB 444.DNxHR: DNxHR LB, DNxHR SQ, DNxHR HQ, DNxHR HQX, DNxHR 444.Supported input video codec: any codec in the supported container file formats. It can be used in conjunction with evrExpanse to ensure that any ASC MHLs produced in accordance with the standard specification are accurate and free from errors. The tool computes hashes and compares them to previous MHLs files, as well as checks the file system structure for any discrepancies. The ASC MHL evrToolbox is a free tool included in the evrApp, which allows users to check the integrity of media files. The ASC MHL, or Media Hash List, is an important metadata application that tracks the integrity of all media files along with a chain-of-custody and verification of data and provide a reference for digital motion picture production and can be used for data management, archiving and exchange purposes. ![]() This is based on the new ASC MHL format specification by the Advanced Data Management Subcommittee of the ASC Motion Imaging Technology Council (MITC) at the American Society of Cinematographers (ASC). The integration with ASC MHL means that evrExpanse also has the functionality of creating ASC MHL ( ASC Media Hash List) files. The integration with Assimilate SCRATCH© allows you to import automatically the source file, camera metadata and user metadata from evrExpanse into SCRATCH, making it possible to use this information for further analysis and metadata management in your post-production pipeline. FCPXMLD) and the application will prompt which library to import the files into, or import the FCPXML file directly from within the application. You can either double-click on the exported file (.FCPXML or. Importing the media files and their metadata into Final Cut Pro is straightforward. When media files are imported, their metadata is inherited by all media files already present in the FCP event or timeline. The exported file is available in two formats. With evrExpanse's FCPXML export function, you can easily import processed media files and their metadata into a new event within an existing FCP library. It recognises the type of camera and accurately maps the metadata tags, making it simple to export and import into various Non-Linear Editing (NLE) systems such as DaVinci Resolve©, Final Cut Pro©, Assimilate SCRATCH©, Avid Media Composer©, and Pomfort Silverstack©. The tool is camera-aware, which means it can extract the same metadata type from different cameras in a standardised way. ![]() With evrExpanse, metadata extraction and mapping from different cameras is a breeze. Supported MHL: ASC MHL creation with hash format xxHash (64-bit, and latest XXH3 with 64-bit and 128-bit), MD5, SHA1, SHA256, C4 Camera-Aware Metadata Mapping for NLEs Supported camera metadata: Panasonic, Nikon, Sony Alpha, Fujifilm, Canon, Sony XDCAM, Z Cam, Kinefinity, Atomos (Ninja & Inferno), McPRO24fps, GoPro, FiLMIC PRO, Apple iPhone. ![]() Supported FCPXML version: 1.9 (.fcpxml) and 1.10 (.fcpxmld) Supported NLEs: DaVinci Resolve, Final Cut Pro, Assimilate SCRATCH, Avid Media Composer, Pomfort Silverstack. Supported media file container: MOV, MP4, MXF ![]()
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